Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Here are all the paintings of Delaunay, Robert 02

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
36676 The three Graces Delaunay, Robert The three Graces mk113 1912 102.3x63.3cm
36677 The three Graces Delaunay, Robert The three Graces mk113 1912 190x140cm
36678 The three Graces Delaunay, Robert The three Graces mk113 1911-1912 Oil on canvas 100x81cm
36685 The three landscape of Window Delaunay, Robert The three landscape of Window mk113 1912 Oil on canvas 35.2x91.8cm
36681 The Window Toward the city Delaunay, Robert The Window Toward the city mk113 1912 Oil on canvas 46x40cm
36656 The Window towards to City Delaunay, Robert The Window towards to City mk113 1910-1911 62.2x49.5cm
36657 The Window towards to City Delaunay, Robert The Window towards to City mk113 1910-1914 56x46cm
36658 The Window towards to City Delaunay, Robert The Window towards to City mk113 1912 Oil on canvas 79x64.5cm
36660 The Window towards to City Delaunay, Robert The Window towards to City mk113 1912 Oil on canvas 39x29.6cm
36661 The Window towards to City Delaunay, Robert The Window towards to City mk113 1914 24.8x20cm
36682 Three Windows Tower and round ring Delaunay, Robert Three Windows Tower and round ring mk113 1912 Oil on canvas 130.2x195.6cm
36653 Tower Delaunay, Robert Tower mk113 1909 65x46cm
36654 Tower Delaunay, Robert Tower mk13 1909-1910 58.5x38cm
36663 Tower Delaunay, Robert Tower mk113 1909 Oil on canvas 46.2x38.2cm
36673 Tower Delaunay, Robert Tower mk113 1912 Oil on canvas 162x130cm
36633 Waitress Delaunay, Robert Waitress mk113 1906-1907 Oil on canvas 73x48.5cm
36684 Window Delaunay, Robert Window mk113 1912 Oil on canvas 57x123cm
36694 Window Delaunay, Robert Window mk113 1912 Oil on canvas 56x56cm

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Delaunay, Robert
French Cubist Painter, 1885-1941 French painter, printmaker and writer. Taking Cubism as one of his points of departure, he first developed a vocabulary of colour planes only distantly dependent on observed motifs, and by the 1930s he had arrived at a purely self-sufficient language of geometric forms. He remained active as a theoretician until the end of his life,
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